“Canyon-ria” reinterprets the archetype of Galleria arcades through an architectural lens, articulating a canyon-esque morphology. This configuration strategically orchestrates a spectrum of diverse unit typologies (North Side) in symbiosis with communal living areas (South Side), blurring the dialogue between private habitation, public interaction, and open space as the architectural piece’s response to collectivity.
The project sets itself apart with its amalgamation of open gallery spaces into the existing building on West 128 Street, where the concept of “Canyon-ria” is used as a continuous fabric, weaving diverse functional spaces across floors one to eight. These areas surpass the standard scope of housing units, transforming into hubs of connectivity that cater to both artists and, short/long-term residents. This integration not only enriches the local community life but also resonates with the abundant artistic programming prevalent around the site historically.
Architecturally, Canyon-ria achieves a harmonious blend of traditional red brick with contemporary brick and tile tectonics, striking a balance that acknowledges local Harlem architectural heritage, while introducing a distinct, communal aesthetics – a concept aptly described as “a gentle handshake with the surrounding building.” The impact of Canyon-ria transcends beyond conventional housing roles; it redefines urban dynamics, orchestrating a fluid interplay between residential, educational, and artistic zones. This approach redirects the movement of people within the urban fabric, fostering an organic and integrated flow of urban life from West 128 Street to Convent Avenue.
