A

AIA CES Credits

AV Office

Abstract Publication

Academic Affairs

Academic Calendar, Columbia University

Academic Calendar, GSAPP

Admissions Office

Advanced Standing Waiver Form

Alumni Board

Alumni Office

Architecture Studio Lottery

Assistantships

Avery Library

Avery Review

Avery Shorts

S

STEM Designation

Satisfactory Academic Progress

Scholarships

Skill Trails

Student Affairs

Student Awards

Student Conduct

Student Council (All Programs)

Student Financial Services

Student Health Services at Columbia

Student Organization Handbook

Student Organizations

Student Services Center

Student Services Online (SSOL)

Student Work Online

Studio Culture Policy

Studio Procedures

Summer Workshops

Support GSAPP

Close
This website uses cookies as well as similar tools and technologies to understand visitors' experiences. By continuing to use this website, you consent to Columbia University's usage of cookies and similar technologies, in accordance with the Columbia University Website Cookie Notice Group 6
Arch hoang johntrujillo sp22 05 sectionbb

Fabric + Furniture Factory

Situated on the edge of the industrially rich site of Red Hook, the factory processes bamboo into laminated veneer furniture (first floor) and bast-fiber fabric (second floor). The plan is divided into structural spans of 60, 45, and 30 feet that correspond to material processing in triple-, double-, and single-height spaces on the first, second, and third floors, respectively. A reference to the woven nature of the textile, the previously porous urban fabric of Red Hook, the winding pattern of circulation on the ground floor, and the intersection between the two products in furniture upholstery, the roof is separated into strips that undulate in counterpoint. The differences between the crest and trough of adjacent strips create gaps that draw indirect light into the factory: a variation of the saw-tooth typology common among factories. The same gaps also enclose the publically accessible third-floor programs, including a canteen, offices, break rooms, and workshops. The alternation among the different spans generates a light-accentuated spatial metaphor for the pace of work. The rhythm of the spans and the corresponding undulation of the roof is interrupted thrice by unenclosed corridors that extend adjacent urban axes from Smith Street, through the factory, and onto the Gowanus Canal.