AIA CES Credits
AV Office
321M Fayerweather Hall
Abstract Publication
415 Avery Hall
Academic Affairs
400 Avery Hall
Academic Calendar, Columbia University
Academic Calendar, GSAPP
Admissions Office
407 Avery Hall
1172 Amsterdam Avenue
New York, New York 10027
Advanced Standing Waiver Form
Must be printed and returned to 400 Avery Hall
Alumni Board
Alumni Office
405 Avery Hall
1172 Amsterdam Avenue
New York, New York 10027
Architecture Studio Lottery
Assistantships
Avery Library
300 Avery Hall
1172 Amsterdam Avenue
New York, NY 10027
Avery Review
Avery Shorts
Black Student Alliance at Columbia GSAPP
Building Science & Technology Waivers
Bulletin Archive
Career Services
300M Avery Hall
Columbia Books on Architecture and the City
Commencement
Communications Office
415 Avery Hall
Conversations podcast
Counseling and Psychological Services
Courses
Credentials Verification
Credit Transfer
Cross Registration
Dean’s Letter
Dean’s Office
402 Avery Hall
1172 Amsterdam Avenue
New York, NY 10027
Development Office
404 Avery Hall
Directory of Classes (All Columbia University)
Disability Services
Dodge Fitness Center
3030 Broadway Dodge
Dual Degree Program Requirements
End of Year Show
Events Office
415 Avery Hall
External Funding Sources
Faculty Directory
Feedback
Finance Office
406 Avery Hall
Fitch Colloquium
Future Anterior Journal
GSAPP Community Fellowship Program
GSAPP Emergency Fund
GSAPPX+
Grades
Graduation
Graphics Project
Honor System
Human Resources
Hybrid Pedagogy Resources
IT Helpdesk Ticket, GSAPP
IT Office, GSAPP
IT, Columbia University (CUIT)
Identity
Incubator Prize
International Students and Scholars Office (ISSO)
News and Press Releases
Newsletter Sign Up
Non-Discrimination Statement and Policy
Onera Prize for Historic Preservation
Online Admissions Application
GSAPP Admissions 407 Avery Hall
Output Shop
116 Avery Hall
1172 Amsterdam Avenue
New York, NY 10027
Ownership of Student Work Policy
Paris Prize, Buell Center
Paul S. Byard Memorial Lecture Series
Percival & Naomi Goodman Fellowship
Plagiarism Policy
Policies & Resources
Press Releases
Publications Office
415 Avery Hall
1172 Amsterdam Avenue
New York, New York 10027
Registration
Registration: Add / Drop Form
Room Reservations
STEM Designation
Satisfactory Academic Progress
Scholarships
Skill Trails
Student Affairs
400 Avery Hall
Student Awards
Student Conduct
Student Council (All Programs)
Student Financial Services
Student Health Services at Columbia
Student Organization Handbook
Student Organizations
Student Services Center
205 Kent Hall
Student Services Online (SSOL)
Student Work Online
Studio Culture Policy
Studio Procedures
Summer Workshops
Support GSAPP
PLEASE NOTE THE GALLERY WILL BE CLOSED WED MAY 7-FRI MAY 9.
Regular gallery hours are Wednesday-Friday, 12 PM-5 PM and Saturdays by appointment. To visit, please contact exhibitions@arch.columbia.edu at least two business days in advance of your desired visit date to request campus access. Learn more about the current Columbia campus access.
Columbia GSAPP is pleased to present Prospecting Ocean by Armin Linke, a multimedia artistic research project that investigates the technocratic entanglement of industry, science, politics, and economics at the frontiers of ocean exploration. The exhibition features Linke’s archival research, photography, and films, including behind-the-scenes footage at leading oceanographic research institutions and at sea. Prospecting Ocean is on view at GSAPP’s Arthur Ross Architecture Gallery from February 27 through June 27, 2025. It is Linke’s first solo exhibition in the U.S. in more than 20 years.
Armin Linke (b. 1966, Milan) is an internationally renowned artist based in Berlin. Through photography and filmmaking, Linke reveals how the environment is transformed by technologies, infrastructures, systems of knowledge, and political power. His expansive body of work on the Anthropocene penetrates complex institutional networks, offering rare glimpses of the processes—from bureaucratic decision-making to logistics, to mechanized operations and manual labor—that cumulatively generate terrestrial and ecological effects at a scale that is often beyond perception.
In Prospecting Ocean, Linke scrutinizes the administration of the oceans and exposes the simultaneous fascination with and alienation of modern technologies that map, visualize, and exploit resources in the ocean. The centerpiece of the exhibition is the title film which gives the exhibition its name, Prospecting Ocean, a cinematic journey that traverses United Nations assemblies, international law conferences, marine research centers, deep sea mining companies, gatherings of decision-makers that are usually closed to the public, as well as activist meetings in Papua New Guinea. Through a series of photographs, a selection of critical texts and key documents, and filmed interviews with marine biologists, geologists, policymakers, legal experts, and activists, Linke further grapples with the tensions between the ecological protection and exploitation of our oceans. Together, the materials invite viewers to consider the implications of oceanic excavations and resource extraction for both the environment and local economies and cultures.
Prospecting Ocean was first presented in 2018 at CNR-ISMAR–Istituto di Scienze Marine in Venice, and was commissioned and produced by TBA21–Academy, whose fellowship program The Current allowed Linke to start the research on the project. For his exhibition at the Ross Gallery, GSAPP has invited Linke to develop a new chapter of his project that is based on his research at the Lamont-Doherty Earth Observatory at Columbia University and the Woods Hole Oceanographic Institution in Woods Hole, Massachusetts. This chapter expands his project by introducing new material on seafloor mapping, autonomous underwater vehicles, and emerging policies on biodiversity.
The Ross Gallery presentation of Prospecting Ocean is co-curated by Irene Sunwoo, John H. Bryan Chair and Curator, Architecture and Design at Art Institute of Chicago and Stefanie Hessler, Director of Swiss Institute, New York. The exhibition design for the Ross Gallery presentation of Prospecting Ocean is by the Office for Political Innovation. Its realization marks the reopening of the gallery under the direction of Bart-Jan Polman, GSAPP Director of Exhibitions and Public Programs and Curator of the Arthur Ross Architecture Gallery.
The exhibition is a continuation of the exhibition Prospecting Ocean, curated by Stefanie Hessler for TBA21–Academy at the Institute of Marine Sciences in Venice, Italy (2018), commissioned and produced by TBA21–Academy. A book on the project (Prospecting Ocean, 2019) by Hessler, which includes a visual essay by Linke, was published by MIT Press and Thyssen-Bornemisza Art Contemporary.
The exhibition was originally scheduled to open in March 2020 and was postponed due to the pandemic. Presented in its original scope, Prospecting Ocean remains urgent and timely.
About Armin Linke
For over twenty years, Armin Linke has explored the question of how humanity uses technologies and knowledge in order to transform the surface of the earth and adapt it to its needs. His films and photographs document human-made changes on land, at sea, and throughout the entire biosphere. Former MIT Visual Arts Program Cambridge research affiliate, guest professor at the IUAV Arts and Design University in Venice, professor of photography at the Karlsruhe University for Arts and Design (HfG), artist in residence at the Kunsthistorisches Institut in Florenz–Max-Planck-Institut (KHI), and guest artist at the CERN Geneva, Linke is currently a professor at the Academy of Fine Arts Munich (AdBK) and a guest professor at ISIA Urbino. In 2004, Linke’s installation Alpi on the contemporary Alpine landscape won a special prize for the best work in the section “Episodes” at the Venice Architecture Biennale. In 2019, with Image Capital, Linke gained the Kubus.Sparda Art Prize (DE). His works have been exhibited internationally. Recent solo exhibitions include: Instruments of Vision, Igrexa da Universidade, Santiago de Compostela, 2024; Image Capital (with Estelle Blaschke), Centre Pompidou, Paris, Deutsche Börse Photography Foundation, Eschborn/Frankfurt, MAST, Bologna, and Museum Folkwang, Essen, 2022-2023; Earth Indices. Processing the Anthropocene (with Giulia Bruno), HKW, Berlin, 2022; Blind Sensorium, Matadero, Madrid and Museo Archeologico Nazionale Domenico Ridola, Matera, 2019-2021.