A

AIA CES Credits

AV Office

Abstract Publication

Academic Affairs

Academic Calendar, Columbia University

Academic Calendar, GSAPP

Admissions Office

Advanced Standing Waiver Form

Alumni Board

Alumni Office

Architecture Studio Lottery

Assistantships

Avery Library

Avery Review

Avery Shorts

S

STEM Designation

Satisfactory Academic Progress

Scholarships

Skill Trails

Student Affairs

Student Awards

Student Conduct

Student Council (All Programs)

Student Financial Services

Student Health Services at Columbia

Student Organization Handbook

Student Organizations

Student Services Center

Student Services Online (SSOL)

Student Work Online

Studio Culture Policy

Studio Procedures

Summer Workshops

Support GSAPP

Close
This website uses cookies as well as similar tools and technologies to understand visitors' experiences. By continuing to use this website, you consent to Columbia University's usage of cookies and similar technologies, in accordance with the Columbia University Website Cookie Notice Group 6

Florian Hecker

Wed, Nov 5    1pm

Please join the Historic Preservation program at GSAPP for a lecture by Florian Hecker, a German sound and visual artist.

Please register in advance to receive the zoom meeting link: Registration link

Hecker’s lecture will focus on his recent exhibition, Resynthesizers, staged at the Fitzpatrick-Leland House in Los Angeles—designed by R. M. Schindler in 1936. Resynthesizers complemented Schindler’s “plastic architecture of space” with a shifting ensemble of multimodal components, dramatizing processes of decomposition and recomposition across sound, text, and olfaction. At the core of the exhibit were three long-duration sound works (Resynthesizers 0.1–0.3). Visitors encountered fragments from vast dictionaries of resynthesized sounds, producing auditory zones of similarity, difference, and perpetual transformation. These sonic elements were joined by olfactory accords created by Marc vom Ende and Philip Kraft of Symrise, referencing milestones in fragrance chemistry from 1874, 1966, and 2021, as well as by a spatially distributed libretto by philosopher Robin Mackay, displayed on electrophoretic screens. Through a quasi-molecular, bottom-up reconstruction of perception, Resynthesizers foregrounded sensory synthesis while exposing the limits of linguistic capture.

Hecker’s other recent exhibitions and performances include TEMPLEXTURES, Galerie Neu, Berlin, Germany; FAVN, Roy and Edna Disney CalArts Theater, Los Angeles, CA, USA; Formulations As Texture, horizontal and vertical crossings, Simian, Copenhagen, Denmark (all 2022) and Resynthesizers, Equitable Vitrines, Los Angeles, CA, USA (2021). He has an extensive discography, including: Resynthese FAVN (Blank Forms, New York, 2024), Syn As Text (Etat, Vienna, 2021); Synopsis Seriation (Editions Mego, Vienna, 2021); Statistique Synthétique (GRM Portraits, Paris, 2020); Inspection II (Editions Mego, Vienna & Urbanomic Falmouth, UK, 2019); A Script for Machine Synthesis (Editions Mego, Vienna, 2017); Articulação Sintetico (Editions Mego, Vienna, 2017) and Hecker Leckey Sound Voice Chimera (Pan, Berlin, 2015). And, Hecker has been a professor of ‘Sound and Experiment’ at the AdBK Munich since 2024.

The Preservation Lecture Series is organized by the MS in Historic Preservation program.